This photograph stages the hidden cost of ambition. At first glance, the scene is filled with symbols of elegance and desire—lipstick, perfume, silk ties, and fruit. But each object carries a darker undertone: the lilies bound in red rope, the bitten apple, the grapefruit split open, the fishnet stocking stretched over a gourd.

Together, they point to the reality that many women face in professional spaces—where power often comes entangled with harassment, objectification, and coercion. What appears polished and successful on the surface often hides stories of pressure, silence, and survival.

“Behind the Success” asks viewers to look beyond the symbols of glamour and achievement, and to confront the structures of violence that still shape women’s experiences in the workplace.

這張照片揭示了「野心的隱藏代價」。乍看之下，場景充滿了優雅與慾望的符號——口紅、香水、絲質領帶與水果。然而，每件物品都帶著陰暗的底色：被紅繩綑綁的百合、被咬過的蘋果、被切開的葡萄柚、以及套上漁網絲襪的瓜果。

它們共同指向許多女性在職場中面臨的現實——權力往往與騷擾、物化和脅迫交纏在一起。那些看似光鮮亮麗、成功的表面背後，往往隱藏著壓力、沉默與求生的故事。

《幕後的成功》邀請觀者超越光環與成就的表象，直視那些至今仍深刻影響女性職場經驗的暴力結構。

棋盤上最強大的皇后，卻是被盯上的目標。這不是巧合。就像女性常被視為堅強，卻同時承受最多威脅。棋盤上的蛋和剝開的橘子，象徵著柔軟、脆弱、被要求永不破碎的身體。表面看似平靜，但危險早已逼近。崩解往往不是轟然巨響，而是靜靜發生。

On the streets of Los Angeles, you can find all kinds of objects scattered around—fast food, soda cans, candy wrappers, even half-eaten meals. To some, these things are nothing more than trash, easy to overlook and step past. But for others, they might be treasures, maybe even enough to make a meal.

The playful colors and casual arrangement of the scene create a light mood at first glance. Yet, when you pause and look closer, a quiet sadness begins to emerge. This work reflects the contrasts of the city—abundance and waste, privilege and need—and invites viewers to consider how easily we forget the invisible stories behind what we throw away.

This work reflects on how modern life reshapes our most basic rituals. The dining table, once a place of nourishment, is now reduced to a bowl of pills and supplements. Food is replaced by medication, convenience, and quick fixes—an ironic substitute for real care.

Beside it lies a Prada paper bag, a reminder of the luxuries we chase to soothe ourselves. Here, luxury does not signal wealth, but rather the illusion of comfort when everything else feels empty.

Through “An Everyday Meal,” I want to question what it means when survival and desire are measured not by health or wholeness, but by consumption and appearances. It is a critique of a society that teaches us to trade well-being for symbols.

This image brings together the objects of our obsessions—gambling chips, money, sugar, alcohol, cigarettes, pills, and powder—each a symbol of desire and escape. At first glance, they might seem ordinary, even playful, against the bright pink surface. But together, they form a chaotic portrait of the ways we lose ourselves.

For me, “Addiction” is not only about substances or habits. It is about the hunger for more, the search for comfort, and the illusion of control that keeps us coming back. These objects seduce us with promises of pleasure, yet they leave behind only fragments—ashes, crumbs, and emptiness.

The work asks: what are we really chasing, and at what cost?

Not plated. Posed.
In a space where food becomes sculpture,
and the knife is the artist’s brush.